The Tale of Taliesin in Nizhny Novgorod 04/05/2018 Tomorrow night! Hidden somewhere behind all those cute churches in the Nizhny Novgorod Kremlin, Ola Asdahl Rokkones and Fabio Mastrangelo will perform my concerto for saxophone and orchestra "The Tale of Taliesin" with the Nizhny Novgorod Philharmonic orchestra. We all think that the exchange of culture, openness and dialogue is really important these days between East and West, and consider us privileged to have our work performed in Russia. Nizhny Novgorod is known for its rich medieval
Tomorrow night! Hidden somewhere behind all those cute churches in the Nizhny Novgorod Kremlin, Ola Asdahl Rokkones and Fabio Mastrangelo will perform my concerto for saxophone and orchestra "The Tale of Taliesin" with the Nizhny Novgorod Philharmonic orchestra. We all think that the exchange of culture, openness and dialogue is really important these days between East and West, and consider us privileged to have our work performed in Russia. Nizhny Novgorod is known for its rich medieval
Ramayan 3392 AD, Moscow, and Rubinstein’s hat 10/25/2017 I am home now after attending the Russian premiere of my accordion concerto in the Pushkin museum in Moscow, the solo part being played by wonderful Maria "Macha" Vlassova of the Moscow Music Academy, and the Russian Camerata led by Andrey Kruzhkov. This concerto is based on the Indian Ramayana, or rather inspired by the comics from 2007 published by Virgin comics India, that treat the same subject, only in modern drawings and design. I was asked before the audience, why I chose to use a
I am home now after attending the Russian premiere of my accordion concerto in the Pushkin museum in Moscow, the solo part being played by wonderful Maria "Macha" Vlassova of the Moscow Music Academy, and the Russian Camerata led by Andrey Kruzhkov. This concerto is based on the Indian Ramayana, or rather inspired by the comics from 2007 published by Virgin comics India, that treat the same subject, only in modern drawings and design. I was asked before the audience, why I chose to use a
Fëanor with L'Orchestre Philharmonique de Nice 10/03/2017 I leave Nice and the world premiere of my latest piece Fëanor, written for the Orchestre Philharmonique de Nice and György G. Ráth, with numerous positive feelings and valuable lesions. Fortunately, as it seems, the piece was quite a success, and it was indeed a great honor to be asked to write for this high level orchestra for their seventieth anniversary. Conductor György Ráth is a very serious musician that understands and studies the scores in all details. Having not been as nervous as
I leave Nice and the world premiere of my latest piece Fëanor, written for the Orchestre Philharmonique de Nice and György G. Ráth, with numerous positive feelings and valuable lesions. Fortunately, as it seems, the piece was quite a success, and it was indeed a great honor to be asked to write for this high level orchestra for their seventieth anniversary. Conductor György Ráth is a very serious musician that understands and studies the scores in all details. Having not been as nervous as